Isibalo se UMata Hari, inhloli, umdansi ongavamile kanye nenganekwane yocansiImpilo yakhe iye yathakazelisa amabhayisikobho kusukela ekuqaleni kwayo. Impilo yakhe yangempela, egcwele izithunzi, amaqiniso angaphelele, kanye novivinyo lobunhloli ngesikhathi seMpi Yezwe Yokuqala, iveze amafilimu ahlukene kakhulu: kusukela kuma-blockbuster akudala kuya kumafilimu ase-Italy, eFrance, eSpanishi, kanye, nenguqulo yaseMelika evulekile evusa inkanuko eyakhishwa ngo-1985.
Kulesi sihloko sizobheka ngokuningiliziwe Indaba yeqiniso kaMargaretha Geertruida ZelleImvelaphi yenganekwane kaMata Hari, ubudlelwano bakhe nobunhloli, kanye nazo zonke izinguquko zefilimu ezimguqule waba yinganekwane, enaka kakhulu ifilimu yango-1985 eqondiswe nguCurtis Harrington futhi edlalwa nguSylvia Kristel, usuku lwakhe lokukhululwa kanye nomongo esizowuhlaziya ngokuningiliziwe.
Wayengubani ngempela uMata Hari?
Ngaphambi kokuxoxa ngefilimu ka-1985, kufanelekile ukucacisa ukuthi ungubani lona wesifazane owayecashe ngemuva kwegama lesiteji uMata Hari. UMargaretha Geertruida Zelle wazalwa ngo-1876 e-LeeuwardenENetherlands, ngaphakathi komndeni wamaDashi avamile, wayekude kakhulu nobuntu basempumalanga ayezobuthengisa kamuva njengengxenye yobuntu bakhe emphakathini.
Ngesikhathi esemusha washada nesikhulu sezempi saseDashi, futhi ngenxa yalowo mshado, Wayehlala esiqhingini saseJava phakathi kuka-1897 no-1902, ngaleso sikhathi eyayiyingxenye yombuso wamakoloni waseDashi. Lokho kuhlala eDutch East Indies kwakubalulekile: lapho wahlangana khona namasiko endawo, izitayela zomdanso kanye nezindaba mayelana neMpumalanga ayezozisebenzisa kabusha kamuva, azihlobise futhi azigqaje lapho ezisungula kabusha njengomculi eYurophu.
Lapho ebuyela eYurophu, futhi ngemva kokuhlukana komshado wakhe, uMargaretha wanquma ukuzivuselela ngokuphelele. Ukuze azikhangise njengomdansi ongavamile, waziveza njengo Inkosazana yaseJava, indodakazi yompristi okuthiwa uBrahmin futhi enolwazi ngobuciko bothando basendulo baseMpumalanga. Konke kwakuyingxenye yomkhankaso wezithombe oyinkimbinkimbi: ingxube yokumaketha okunolaka kanye nemicabango emsulwa, okwenziwe kwaba nokwenzeka ngenxa yesikhumba sakhe esimnyama, amehlo amnyama, kanye nokuba khona kwakhe esiteji okuqinile.
Igama lesiteji elikhethiwe kwakungu-“Mata Hari”, isisho esihlanganiswa ngesi-Indonesia ngokuthi “matahari”, ngokwezwi nezwi esisho ukuthi “ilanga noma” iso losuku”Ukungajwayelekile kwaleli gama kwaqinisa umqondo wemfihlakalo. Ngaphambi kokuhlanganisa lobu bunikazi, waze wasebenzisa elinye igama elingelona iqiniso, “uLady MacLeod,” esebenzisa isibongo somyeni wakhe wangaphambili; wasigcina kumaphosta nasezikhangisweni kwaze kwaba ngu-1912, lapho uMacLeod wangempela emmangalela futhi kwadingeka ayeke ukusisebenzisa.
Sukuma njengomdansi ongavamile kanye nesithonjana socansi
Udumo lukaMata Hari alubangelwanga kakhulu yindlela ethuthukisiwe njengomdansi, kodwa lubangelwa inhlanganisela ukukhanga, ukushaja okuvusa inkanuko kanye nokudlala imidlalo yaseshashalazini okungavamileUbufakazi bangesikhathi kanye nokuhlaziywa komlando kuyavumelana ukuthi wayezifundisa yena, nokuthi imidanso yakhe yayingahlobene kangako nezitayela zangempela ezivela eNdiya, eMpumalanga Ephakathi noma eNingizimu-mpumalanga ye-Asia, yize ayeziveza njengemikhuba yasendulo yaseMpumalanga.
Imibukiso yakhe, ikakhulukazi cishe ngo-1905 nango-1906, yayihlanganisa ama-choreography eziteji ezibizayongezimpahla zasempumalanga kanye nesambatho esasuswa kancane kancane. Ukukhanga kwangempela kwakungekona “ubumsulwa” bomdanso, kodwa ukuthi umphakathi ophakeme waseYurophu—abesilisa nabesifazane—wawungakwazi, okokuqala, ukubona owesifazane ekhumula izingubo ngendlela yobuciko ebalwe kahle.
Ngale ndlela, uMata Hari waba uhlobo oluthile lwephayona ukuhlubula izingubo okwamukelekayo emphakathiniKwakuwumbukiso odayiswa njengobuciko obucwengekile, obumbozwe ngamakha angavamile, izinganekwane zaseNdiya, kanye nobumfihlakalo baseMpumalanga, kodwa isisekelo sawo sasiwubufebe. Izithameli zawo eziyinhloko zazihlanganisa izicukuthwane, izikhulu zempi, abaxhasi bezimali, kanye nabantu abanethonya ababekhona ngenxa yokufuna ukwazi okungekuhle kanye nesithakazelo sobuhle.
Ukukhanga kwakhe kwakungekona nje kuphela ebuhleni bakudala. Nakuba amafilimu akamuva emveza njengophawu lokuphelela ngokomzimba, ababhali bezindaba bagcizelela kakhulu lokho amandla akhe amakhulu okuheha kanye nekhono lakhe elikhulu lokuyengaOkwamenza wangasoze wakhohlwa kwakungebona ubuso bakhe kakhulu kodwa kwakuyingxube yemfihlakalo, ukuzethemba, kanye nekhono lokulawula izifiso zabanye abantu ukuze kuzuze yena.
Ngemva kweminyaka yakhe ephumelele kakhulu, kusukela ngo-1906 kuqhubeke izinkontileka zakhe zaqala ukwehla ngenani kanye nemali ekhokhwayo. Phakathi kuka-1905 no-1915, izinga lokudlala kwakhe lehla.owasuka ezigabeni zobukhazikhazi zaseParis waya ekuzibophezeleni okuncane kakhulu. Lokhu kwehla kobungcweti kwamphoqa ukuthi athembele kakhulu kubathandi bakhe nakubaxhasi bakhe ukuze bamsekele ngezimali.
UMata Hari neMpi Yezwe Yokuqala: isithandwa, inhlonipho kanye nenhloli esolwayo
Ngawo-1910, uMata Hari wayengasaphili ngemali yakhe njengomculi, kodwa ikakhulukazi ngobudlelwano bakhe bomuntu siqu. Izimo zakhe zezimali zazishintshashintsha kakhulu: Ngezinye izikhathi wayehlala emahhotela amahle kakhulu eParisNgezinye izikhathi wayezungezwe ubukhazikhazi, kanti kwezinye wayengenayo imali eyanele yokuziphilisa, enezikhathi zobunzima bezinto ezibonakalayo.
Kulesi simo, akumangazi ukuthi ngezinye izikhathi wayesebenzisa lokho imithombo ehlukahlukene ekuchaza ngokuthi Ubufebe ngezikhathi ezithile noma ubudlelwano obucacile bokuzikhathalelaNokho, ngisho nangalezo zikhathi zobunzima, wayaziwa ngokukhetha izithandwa zakhe futhi wenqaba abantu abaningi abathandana naye. Ukukhetha kwakhe okukhulunywe ngakho kwakucacile: njengoba yena ngokwakhe eshilo, wayethanda “isikhulu esimpofu kunebhange elicebile.” Lokhu kuthambekela kwamasosha, phakathi nesikhathi sokungezwani ngesikhathi sempi, ekugcineni kwakuzodlala indima ebalulekile esiphethweni sakhe.
Lapho kugqashuka iMpi Yezwe I, iphrofayili kaMata Hari njengo i-courtesan yezinga eliphezulu enokuxhumana emabuthweni ahlukahlukene Ngenxa yabathandi bakhe abaningi ababegqoke iyunifomu, bezizwe ezahlukene, wavusa ukusola phakathi kwezinsizakalo zezobunhloli. Impilo yakhe yokuzulazula, ukuhamba kwakhe njalo phakathi kwamazwe alwayo, kanye nodumo lwakhe emibuthanweni yamandla kwamenza waba yilungu elifanele lobunhloli… noma, okungenani, ngokusebenza njengesilwane esisusayo.
Ngo-Agasti 1916, uKaputeni Georges Ladoux, inhloko yezobunhloli baseFrance, wambiza emhlanganweni. Wachaza ukuthi, ngokusho kwezobunhloli baseBrithani, Wayebhekwa njengenhloli yaseJalimane.ULadoux wathi akavumelani nalowo mbono, kodwa wamnika umsebenzi wokusebenzela iFrance. Kwakuwumsebenzi owodwa, osezingeni eliphezulu, ngesamba esikhulu sama-franc ayisigidi, okwakungumuntu ohlaba umxhwele ngaleso sikhathi.
UMata Hari wavuma. Kodwa-ke, ukungena kwakhe ezweni lobunhloli kwakungekuhle kakhulu njengoba inganekwane ibuveze ngokuhamba kwesikhathi. Umsebenzi wakhe wangempela njengenhloli wawumfushane, unzima, futhi ugcwele amaphutha angenamsebenzi.ikakhulukazi uma kuqhathaniswa namanye amanxusa angochwepheshe angaleso sikhathi, ayenobuhlakani futhi eqeqeshwe kakhulu.
Ukubanjwa empini: ukuthengiselana okubili, imali yaseJalimane, kanye namaphutha abulalayo
Ngemva kokwamukela isicelo saseFrance, uMata Hari waya eBelgium ukuyoqala umsebenzi wakhe, kodwa waboshwa yiziphathimandla zaseBrithani, ezamcabanga ukuthi ungomunye umhloli. Ngemva kokukhululwa, ukunyakaza kwakhe kwamholela eMadrid, futhi yilapho, empeleni, Cishe yonke imisebenzi yakhe igxile njenge-ejenti ephindwe kabili okusolwa ukuthi iyingozi., emasontweni ambalwa nje ngoDisemba 1916.
Esenhloko-dolobha yaseSpain, wanquma ukuya enxusa laseJalimane ngenhloso yokuthi ukuthola ukwethenjwa yisitha futhi kuthiwa wayesebenza njenge-ejenti ephindwe kabili yeFrance. Inkinga ukuthi, ngokusho kwemibiko, ukuphatha kwakhe ulwazi nokuxhumana kwakuwubuwula obukhulu.
Ibutho laseJalimane lakubona kusenesikhathi lokho UMata Hari wayengenalo ulwazi lwangempela ngobunhloliUyaziwa ngokuthi wenza amaphutha ayisisekelo, njengokuxoxa ngezindaba ezibucayi ezincwadini ezingabhalwanga noma ngezingxoxo ezivamile zocingo, futhi wenqaba ukusebenzisa uyinki ongabonakali, ithuluzi elalivele livamile ezinkonzweni eziyimfihlo zangaleso sikhathi.
Inxusa lezempi laseJalimane lalizosheshe lithole ukuthi lingumuntu ongathembekile. Kungenzeka ukuthi, ngokombono wamaJalimane, kungabhekwa njengethuluzi elingenamsebenzi noma ngisho nesicefeOkwenza izinto zibe nzima nakakhulu, ezinyangeni ezimbalwa ngaphambili, ngoMeyi 1916, uMata Hari wayemukele inkokhelo yama-franc ayizinkulungwane ezingamashumi amabili avela kumaJalimane, inani elikhulu elaba ubufakazi obubalulekile ngesikhathi secala elalandela.
Wayehlala egcizelela ukuthi leyo mali yayiyimali isinxephezelo sezinye iziboya ayezilahlekile ngenxa yezenzo zalelo zwe, nokuthi akakaze enze umsebenzi wobunhloli woMbuso WaseJalimane. Uma leyo nguqulo iyiqiniso, ingachaza ukuthi kungani amaJalimane engamsebenzisanga ukusabalalisa ulwazi olungelona iqiniso kumaFulentshi, kodwa kunalokho amshiya ezenzela yena. Kodwa-ke, ezinqubweni zomthetho zaseFrance, leyo ncazelo ayizange ikholise abahluleli.
Ukuqulwa kwecala, ukulahlwa yicala, kanye nokubulawa kukaMata Hari
Emuva eParis, uMata Hari wayecabanga ukuthi uyisingathe kahle leso simo nokuthi bathole ulwazi oluwusizo ku-attaché waseJalimaneKodwa lokho kwakungelona iqiniso nhlobo. Iziphathimandla zaseFrance, zicindezelwe umongo wempi ephelele kanye nesidingo sokujezisa abasolwa ngokuba ngamambuka, zagxila kuye izinsolo zazo. Udumo lwakhe, ubudlelwano bakhe namasosha avela ezinhlangothini ezahlukene, kanye nendlela yakhe yokuphila kwamenza waba yilungu elifanele lombukiso omkhulu womphakathi.
Ngesikhathi secala lezempi, ubufakazi obuningi kanye nobufakazi abuzange buvezwe emphakathini ngokuphelele. Izazi-mlando eziningana zikhomba ukuthi Ofakazi abaningana ababengamfakazela abazange bavunyelwe ukufakaza. Futhi wonke amadokhumenti afanele awazange alethwe. Isimo sasiwukuthuthumela kwempi: iFrance yayifuna umuntu eyayizomsola ngezinhlekelele zayo zempi, futhi inhloli ekhangayo yafeza leyo njongo kangcono kunomphathi wehhovisi ongaziwayo.
Inkantolo ithembele kakhulu ekwamukelweni kwaleyo nkokhelo yaseJalimane yama-franc ayizinkulungwane ezingamashumi amabili, iyihumusha ngokuthi inkokhelo yezinsizakalo zobunhloliKubahluleli, ukuhlanganiswa kwaleyo mali, ukunyakaza kwakhe kwamanye amazwe, kanye nobuhlobo bakhe nezikhulu zezitha kwakwanele ukukhipha isinqumo sokuthi unecala.
Ngo-Okthoba 15, 1917, indaba kaMargaretha Geertruida Zelle yaphela. wabulawa yiqembu labadubuli eFranceLapho eneminyaka engu-41, wayesekude kakhulu nezinsuku zakhe zodumo njengomdansi ongavamile. Ngaleso sikhathi, izinsuku zakhe zesiteji kanye nokuhalaliselwa zase zimshiyile; udumo lwakhe lobuciko lwase lunyamalale eminyakeni eminingi ngaphambili, luthathelwe indawo udumo oluphawulwe yihlazo nokusola.
Ngokuthakazelisayo, ngokuhamba kwesikhathi, izinhloli eziningana zaseJalimane kanye nezikhulu zezobunhloli ziye zaphika ukuthi UMata Hari wayeyingxenye yenethiwekhi yezinhloli zaseJalimane engathi sínaAkakaze adunyiswe njenge-ejenti elikhulu, okuye kwavusa impikiswano yomlando mayelana nokuthi wayenecala kangakanani ngempela noma ukuthi, ngokwengxenye, wayeyisisulu sobuntu bakhe kanye nesifiso samaFulentshi sokuthola uphawu lokukhashelwa okufanele asolwe ngalo.
Inganekwane kaMata Hari kufilimu
Ngemva kokufa kwakhe, isibalo sikaMata Hari sakhula saba uphawu lomhlaba lwenhloli ye-femme fataleIbhayisikobho, ehlala elangazelela izindaba zobuqili, ubulili kanye nempi, yayishesha ukuqonda inganekwane yakhe futhi iyilolonge ngendlela eyithandayo, ivame ukuphambuka kakhulu emaqinisweni abhalwe phansi.
Enye yezinguquko zokuqala ezinkulu yafika ngo-1931, lapho iHollywood ikhiqiza ifilimu edlala indima UGreta Garbo noRamón NovarroIzinkanyezi ezimbili eziphezulu zesikhathi. Yaqondiswa nguGeorge Fitzmaurice. Nakuba ifilimu yazama, ephepheni, ukwethembeka kumlando kaMargaretha Zelle, empeleni, i-melodrama yothando kanye nobuhle kwathatha indawo yokunemba komlando.
Kuleyo nguqulo yakudala, lo mbono waqiniswa. UMata Hari njengenhloli enekhono kanye nomkhohlisi oyinhlokoLe nguqulo iwumkhiqizo womcabango ohlangene kunasemibhalweni yezempi. Kusukela ngaleso sikhathi, isithombe sebhayisikobho senhloli yesifazane i-fatale sesicishe simthinte ngokuphelele owesifazane wangempela, owayephikisana kakhulu, engazethembi, futhi eyisilima njenge-ejenti.
Indaba iphinde yaphefumulela amabhayisikobho ase-Italy. Ku-“Mata Hari’s Daughter,” eqondiswe nguCarmine Gallone, indaba ishintshela kuJava kanye nezici. okucatshangwa ukuthi uyinzalo yenhloliUsebenza e-cabaret yendawo. Inkosana iyathandana naye, iphinda ihlanganise ukunethezeka, ubuciko obungavamile, kanye nothando. Lapha, inganekwane kaMata Hari isebenza njengesizathu sendaba yothando esezindaweni zamakoloni, kunokuba ibe yinto yokuzijabulisa yomlando.
Ibhayisikobho yaseFrance ibuke kabusha umlingiswa ku-“Mata Hari, Agent H21”, ifilimu emguqula abe i-ejenti eyimfihlo eMpini Yezwe I eParisIqondiswe nguJean-Louis Richard, kanye nefilimu ebhalwe ngokubambisana ngumenzi wefilimu odumile uFrançois Truffaut, le filimu ifaka uJeanne Moreau noJean-Louis Trintignant. Ivumelanisa indaba ukuze ivumelane nemizwa yawo-1960, iqinisa ithoni yobuqili kanye nokungacaci kokuziphatha.
Izinguqulo zesiSpanishi kanye nokuhumusha kabusha kwamahlaya
Ukuthandwa kukaMata Hari kwakungagcini eHollywood, e-Italy, noma eFrance. Ibhayisikobho yaseSpain nayo yaba nesibindi sokudlala ngenganekwane yayoNokho, ngombono ohluke ngokuphelele. UMariano Ozores, owaziwa ngamahlaya akhe athandwayo, ulethe inguqulo yendaba ekhululekile nehlekisayo esikrinini esikhulu.
Kulolo hlelo, izindima eziyinhloko zidlalwa yi UGracita Morales noJosé Luis López Vázquez, amagama amabili amakhulu kumahlaya aseSpain engxenyeni yesibili yekhulu lama-20. Kude nokuhlonishwa kwamanye amafilimu, inhloso lapha kwakuwukusizakala ngamahlaya ngesimo senhloli, kusetshenziswa izimo ezingenangqondo namahlaya ahlekisayo asekelwe kumongo wokuqala.
Le ndlela ikhombisa izinga UMata Hari wayeseshintshe waba isithonjana samasiko esithambile: kusebenza kumadrama omlando njengakuma-comedy ahlekisayo. Igama lakhe lase lifana nowesifazane oyingozi, ohehayo ohlotshaniswa nobunhloli, ngisho nakulabo ababengazi kahle umlando wakhe wangempela.
Kuzo zonke lezi zinguqulo, inhloli yaseDashi ivela njengengxube ye inkanuko, ukukhashelwa, i-adventure kanye nemfihlakaloKodwa kwakungavamile ukuba abe ngowesifazane wangempela, enokungabaza kwakhe, ukuphathwa kabi kwezezimali, izinqumo zakhe ezingalungile, kanye nokuphila okuphawulwa yisidingo nesifiso sokukhuphuka izinga lomphakathi.
Ukugxuma okuqinisekile okuya ku- ukuxhashazwa obala okuvusa inkanuko Kodwa-ke, inganekwane ingavela kumkhiqizi othile kanye nomlingisi owayesevele eyisibonelo sebhayisikobho yaseYurophu evusa inkanuko: uSylvia Kristel.
Ifilimu yango-1985 ethi Mata Hari: Eroticism, Cannon noSylvia Kristel
Ngo-1985 kwakhishwa ifilimu entsha egxile enganekwaneni kaMata Hari, kulokhu iqondiswe ngu UCurtis Harrington futhi wakhiqizwa yiCannon FilmsLe nkampani, eyayidumile ngawo-1980 ngendlela yayo yokuhweba kanye nokuthambekela kwayo ekusebenziseni izindaba ezivusa amadlingozi ngaphandle kokungabaza okukhulu kobuciko, yayinomgomo ocacile: ukusizakala ngokuthandwa kwalo mlingiswa ukuze inikeze umbukiso ovusa inkanuko.
Umlingiswa oyinhloko kwakungu USylvia Kristel, umlingisi waseDashi owayesephenduke inganekwane evusa inkanuko eminyakeni eyishumi edlule ngenxa yendaba ethi “Emmanuelle”. Ukukhetha kwakhe njengoMata Hari kwakungeyona ingozi noma okungenacala: kwathumela umlayezo oqondile kubabukeli befilimu ababengaba khona, ababengalindela inguqulo yendaba ethinta ucansi, enezigcawu eziningi zobunqunu nokuyenga.
Indaba yefilimu yango-1985 iphefumulelwe kancane yi-biography kaMargaretha Zelle. Iqoqa ezinye izinto eziyisisekelo empilweni yakhe -isikhathi sakhe esidlule njengomdansi ongavamile, ubudlelwano bakhe nezikhulu zempi eziphezulu, ukubandakanyeka kwakhe ebunhlolini ngesikhathi seMpi Yezwe Yokuqala kanye nokuqulwa kwecala lakhe – kodwa uzivumelanisa nezimo ukuze zisebenze njengentambo efanayo ezigcawini eziningi zobulili ezidlala uKristel.
Kule filimu, umlingiswa kaMata Hari uvela njengo owesifazane ohehayo futhi oyingozi kakhulu eYurophu echithwe yimpiUyakwazi ukukhipha izimfihlo zombuso emadodeni anamandla kuzo zombili izinhlangothi zempi. Kugcizelelwa ukuthi akayena owesizwe, ukuthi ukwethembeka kwakhe kukuye kuphela, nokuthi inkanuko yakhe iyisikhali nesiqalekiso.
Inhloso eyinhloko yale filimu, kunokuba igxile odabeni oluyinkimbinkimbi lokuba necala noma ubumsulwa bayo njengenhloli, iwukukhombisa icala lobulili elihlobene nomlingiswaIndaba yomlando ithatha indawo yangemuva; ukugxila kushintshela ekuhlanganeni okuseduze, emidansweni evusa inkanuko, kanye nobuhle obungcolile obuzungeze umlingiswa oyinhloko. I-Cannon Films yagcizelela le ndlela, ngokuvumelana nesitayela sayo ngaleso sikhathi, esasigxile kumafilimu ohlobo kanye nokuxhashazwa kwezentengiselwano.
Usuku lokukhishwa, umongo kanye nokwamukelwa kwenguqulo ka-1985
Ifilimu kaMata Hari eqondiswe nguCurtis Harrington ikhishwe ngokwesimo imakethe yamafilimu emukela kakhulu inkanuko yesitayela sama-80sNakuba ukugxila kwakungekona ukugxekwa okukhethekile, kodwa ekusebenzeni kwezentengiselwano, ifilimu yaqala ukubonakala maphakathi nawo-1980 ngaphakathi kwesekhethi evamile yemikhiqizo yeCannon, ihlanganisa ukukhishwa kwemidlalo yaseshashalazini kanye nokuxhashazwa okukhulu kwevidiyo yasekhaya.
Usuku lokukhishwa kwale nguqulo ye-Mata Hari luwela phakathi ingxenye yesibili yawo-80Lokhu kwenzeke ngesikhathi umphakathi wawusuvele ujwayelene kahle noSylvia Kristel njengenkanyezi yamafilimu evusa inkanuko, ikakhulukazi ehlotshaniswa nesenzakalo somhlaba wonke se-“Emmanuelle.” Inkampani yokukhiqiza yadlala leli khadi ngokungenamahloni, ikhuthaza ifilimu ngamaphosta nezinto zokukhangisa ezazigcizelela umzimba womlingisi kanye nokuzwela ngaphezu kobukhulu bomlando wendaba.
Ngokombono obucayi, ifilimu yayibhekwa ezimweni eziningi njenge i-biopic engabonakali futhi ethakazelisayobengakwazi ukubonakalisa ubunzima bangempela bomuntu odumile. Kwakukhona ngisho nokubuyekezwa okwakubiza ngokuthi “kuyinto ehlekisayo” noma “embi” njengokwakhiwa kabusha kwempilo kaMata Hari, kugcizelela ukuthi lokho okwanikezwayo kwakuyindlela yokuzikhangisa kukaKristel okuvusa inkanuko.
Ngokuphambene nalokho, izethameli ezazijabulela amafilimu okuxhaphaza kanye nobulili obulula kusukela ngawo-1980 zathola kuwo Yilokho kanye engangikulindeleIngxube yobuqili obuncane, ukuhlelwa kwesikhathi, iyunifomu yezempi, kanye noMata Hari osebenzisa ucansi njengesikhali ebhodini le-chess lempi eligcwele ama-clichés. Umphumela, okungaphezu nje kwedrama yomlando, ukuzijabulisa okusheshayo okondla inganekwane ngaphandle kokukhathazeka ngezinto ezihlukile.
Namuhla, le nguqulo ka-1985 ikhunjulwa kakhulu ngokuthi umkhiqizo omelela kakhulu isikhathi sawoKokubili isitayela sayo sokubuka kanye nendlela yayo yokubonisa uthando, okuhluke kakhulu ezindinganisweni zamanje, kuyenza ivelele. Ngokungafani nodumo lwefilimu edlala uGreta Garbo noma indlela yokubhala yesinema yaseFrance, ifilimu kaHarrington isalokhu ingenye yezibonelo ezicacile zendlela inganekwane kaMata Hari eyaguqulwa ngayo yaba ukukhanga kothando.
Phakathi kowesifazane wangempela nenganekwane yebhayisikobho
Uma siqhathanisa impilo kaMargaretha Zelle wangempela nezinguqulo zakhe esikrinini esikhulu, siyabona ukuthi ibanga likhulu kakhulu. UMata Hari womlando wayengowesifazane one-biography egcwele ukuphikisana.: umculi ozifundise yena, umama, unkosikazi wendoda yempi ayenobudlelwano obunamandla nayo, osindile endaweni enobutha, othanda amadoda empi ayemnakekela, futhi ngesikhathi esifanayo, umuntu obuthakathaka ovaleleke phakathi kwamandla aphikisanayo.
Ngakolunye uhlangothi, i-cinema imguqule waba uhlobo lwe-fale yesifazaneUhlala elawula, ebala, eheha, futhi ekwazi ukulawula ohulumeni bonke etafuleni lakhe lokugqoka. Nokho, iqiniso liveza umuntu, owayephuphuthekiswe yisidingo sezimali kanye nokuzibona kwakhe njengomkhulu, wacabanga ngokweqile ngekhono lakhe lokuhamba ezweni lobunhloli.
UMata Hari ngokwakhe waba negalelo enganekwaneni yakhe, wahlobisa imininingwane yempilo yakhe futhi wakha ngokucophelela indaba yomuntu siqu yobukhulu kanye nokungajwayelekile okuyinto ezimweni eziningi eyayingahambisani namaqiniso. Izindaba mayelana nemvelaphi yakhe, isikhundla sakhe emphakathini, kanye nezikhulu zakhe zaseJava ezazicatshangelwa ukuthi ziyingxenye yalokhu kudalwa kwakhe, okwathi kamuva kwadlula kakhulu kumabhayisikobho.
Izinkantolo ezamqulisa icala noma amafilimu amaningi aphefumulelwe nguye azizange zibonise ngokunembile izinga langempela lokubandakanyeka kwakhe ebunhlolini. Umlando wanamuhla uvame ukumbona njengomuntu onjalo. isisulu somongo wezepolitiki kanye nabezindaba ukuthi wayedinga izibonelo ezicacile zokukhashelwa, nokuthi wathola kuye isisulu esiphelele: odumile, obiza kakhulu futhi wesifazane.
Lonke lolu hambo lomlando nolwe-cinema lubonisa ukuthi umuntu onjengenyama negazi, onamandla nobuthakathaka bomuntuSekuyisibonakaliso esivamile senhloli ekhangayo, ehunyushwa kabusha kaningi ngokwezimfashini zenkathi ngayinye, kusukela ekukhazimuleni okumnyama nokumhlophe okuvamile kuya ekuziphatheni okusobala kwezocansi kwangeminyaka yawo-1980.
Kuze kube namuhla, uMata Hari wangempela kanye noMata Hari bamabhayisikobho basalokhu bengabantu ababili abahlukile kodwa abangahlukaniseki: owesifazane owabulawa ngo-1917 ngemuva kwecala elingabazekayo, kanye nenganekwane egcwalise izikrini ngemidanso engavamile, izimfihlo zothando, kanye nezimfihlo zikahulumeni ezihletshwa ngasese, ikakhulukazi kuleyo nguqulo ka-1985 lapho USylvia Kristel noCannon bakhethe ukuthandana kunokuthanda indaba, eqinisa njalo isithombe senhloli edumile kunazo zonke.
[i-url ehlobene = “https://www.cultura10.com/fallece-sylvia-kristel-a-los-60-anos/”]